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Detailed Table of Contents
List of Figures Acknowledgments
1 Ubiquitous Photography: an introduction
2 Visual Culture, Consumption, and Technology
3 Images and Information: variation, manipulation and ephemerality
4 Technologies and Techniques: reconfiguring camera, photographer and image
5 Memory and Classification: between the album and the tag cloud
6 Conclusion: ubiquitous photography and public culture
References and Bibliography
Index
´Photography is no longer a hobby or a discrete activity, and Martin Hand sets out in his lucid and engaging study just how it has become ´ubiquitous´, modifying and making more visual a whole range of existing social practices.´
Tim Dant, Lancaster University
´Hand´s book sets contemporary photographic practices in the context of information technologies, changing cultural and economic forms, and a media-saturated society, and provides a lucid analysis of how these constitute ´ubiquitous photography´. Its combination of cultural theory, analytic insight, and ethnographic sensibility makes it indispensable reading for anyone seeking to understand contemporary visual culture.´
Anne Beaulieu, University of Groningen